This article explores how post-war documentary film-makers negotiated complex social, formal, and autobiographical issues associated with representing mental illness and its treatments, and the extent to which their respective approaches helped to challenge conventional attitudes to alternative psychotherapies – especially within the context of advances in new documentary film-making technologies, alongside a wider culture of social activism. Focussing on A Look at Madness ( Regard sur la folie; Mario Ruspoli, 1962, France) and Now Do You Get It Why I Am (...) Crying? ( Begrijpt u nu waarom ik huil?; Louis van Gasteren, 1969, Netherlands), the article discusses how the collaborative, democratic aims of cinéma direct coincided with the ethos of institutional psychotherapy, and compares this with the relations between the documentary form and the subject of LSD-assisted psychotherapeutic techniques in Van Gasteren's film. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Aristotle’s Phantasia in the Rhetoric:Lexis, Appearance, and the Epideictic Function of DiscourseNed O’GormanIntroductionThe well-known opening line of Aristotle's Rhetoric, where he defines rhetoric as a "counterpart" (antistrophos) to dialectic, has spurred many conversations on Aristotelian rhetoric and motivated the widespread interpretation of Aristotle's theory of civic discourse as heavily rationalistic. This study starts from a statement in the Rhetoric less discussed, yet still important, that suggests that a visual (...) aspect inheres in Aristotle's theory of rhetoric. Near the beginning of book 3, which deals with lexis (style, sometimes subsuming delivery1 ), Aristotle conjoins lexis and phantasia with the copula "is" (eimi): "The subject of expression [lexeôs], however, has some small necessary place in all teaching; for to speak in one way rather than another does make some difference in regard to clarity, though not a great difference; but all these things are forms of outward show [phantasia] and intended to affect the audience" (1404a).2 Whereas scholars exploring the relationship between rhetoric and dialectic have compared and contrasted the Rhetoric and the Topics, I explore rhetoric's relationship with phantasia by reading the Rhetoric alongside De Anima. De Anima is Aristotle's seminal account of the senses and their relationship to psychê (often translated "soul"). It addresses topics intimately connected to rhetoric: perception, cognition, deliberation, visualization, imagination, and the image. Phantasia is integral to each of these psychic processes and to Aristotle's understanding of the function of appearance in human experience. Hence, itis a lens suitable for exploring the relationship between Aristotle's conception of civic discourse and his notions of sight and appearances as they relate to perception, interpretation, deliberation, and judgment. I find in Aristotle's phantasia a tie between his art of rhetoric and his psychology and phenomenology (anachronistic though these terms are). Aristotle's psychological works, as Richard McKeon points out, are foundational to Aristotle's philosophy, and thus to his Rhetoric. [End Page 16] "Psychological inquiries occupy an extremely important position in the philosophy of Aristotle, for the conception of the psychê lays the foundation for the continuity of functions in nature" (1947, 142). De Anima, especially, articulates the psychological and phenomenological conceptions often tacitly at work in the Rhetoric.The importance of phantasia for the trajectory of ancient rhetorical and aesthetic theory is seen in the parallels between the visual arts, rhetoric, and poetics in Greek and Roman thought.3 As David Freedberg states (perhaps, slightly overstates), parallels between painting and poetry are "to be found everywhere in classical literature" (1989, 50). With respect to such visual-verbal parallels in Aristotle, D. Thomas Benediktson's reading of Aristotle's psychological, poetic, and rhetorical works concludes that phantasia ties together the visual and the literary. "[Aristotle's passages on phantasia] do help to see why Aristotle took for granted the similarity, almost the identity, of literature and the visual arts. Both types of art are imagistic; they present to the viewer either an image, as in visual art, or as in literature, a set of moving images that the soul then uses as raw data (phantasia) to enable thought to occur" (2000, 170). Phantasia developed a legacy in Hellenistic aesthetics, where it came to designate suprarealism in painting, moving art "beyond imitation" (Fowler 1989, 180–81). In later Greco-Roman works, phantasia was used to designate vivid imagery in written and oral discourse, imagery that could create sights and scenes in the minds of audience members. As Quintilian noted in his discussion of forensic rhetoric, in Latin phantasiai were termed visiones. Here, phantasiabecame a mode of displacing narrative in rhetorical discourse:There are certain experiences which the Greeks call phantasiai, and the Romans visions [visiones], whereby things absent are presented to our imagination with such extreme vividness that they seem actually to be before our very eyes.... From such impressions arises that enargeia which Cicero calls illumination [illustration] and actuality [evidential], which makes us seem not so much to narrate [dicere] as to exhibit [ostendere] the actual scene.(Institutio Oratoria 4.2.29, 32)Quintilian's invocations of phantasia and enargeia can be traced to Aristotle's discussion of rhetorical style in book... (shrink)

Himbert of Garda was a little-known Franciscan theologian who studied at Paris around 1320 and probably served as Francis of Meyronnes’ secretary. His commentary on the Sentences provides precious insights on the development of Franciscan thought at Paris, connecting Francis of Meyronnes’ refined presentations of doctrine with raw academic debates between bachelors and masters in the Faculty of Theology. An appendix presents Himbert’s discussion of intrinsic degrees in Book I d.36, and both redactions of his treatment of the formal distinction (...) in the context of the divine attributes in Book I d.8, as well as parallel texts from Francis of Meyronnes. A second appendix provides a full question- and citation-list for Himbert’s commentary on the Sentences. (shrink)

Resumo: Neste texto procuro fazer uma contextualização teórica a respeito dos fundamentos da sociologia da vida cotidiana, valendo-me dos seus princípios para o desenvolvimento da pesquisa em ciências sociais e da sua utilização como perspectiva metodológica. Nos percursos argumentativos que procuro desenvolver, situo o cenário e os sujeitos da pesquisa que motiva minhas reflexões, sinalizando alguns instrumentos necessários para a escavação do cotidiano. Tematizo os desvios das rotas do cotidiano e os desafios para a decifração dos seus enigmas. Enfatizo a (...) importância da construção de estratégias de observação do cotidiano, tendo as narrativas como matéria-prima para o seu conhecimento. Procuro entrelaçar os aportes teóricos de José Machado Pais e de Alberto Melucci no tocante às metodologias de pesquisa qualitativa com os caminhos investigativos construídos no meu estudo. Palavras-chave: Sociologia da vida cotidiana. Metodologias de pesquisa. Cotidiano.: In this text I try to contextualize theoretically the principles for the Sociology of daily life, making use of its principles for the development of a research in Social Sciences and its use as a methodological perspective. In the argumentative journey that I try to develop, I point out the scenery and the subjects of the research that motivate my reflections, indicating some instruments necessary to hollow out daily life. I discuss the bypasses from everyday’s routes in the construction of observatory strategies and the challenges to decipher their riddles. I also emphasize the construction of observation strategies for every day scenes, having narrative as raw-material for its knowledge. I try to interweave the theoretical approach at José Machado Pais and Alberto Melucci regarding all the equipment and qualitative technology with the research investigatory weights that were built in this study. Keywords: Sociology of daily life. Research methodology. Daily life. (shrink)

This special issue considers the significance of film to the establishment and development of scientific approaches to the mind. Bonnie Evans explores how the origins of film technologies in 1895 in France encouraged a series of innovative collaborations, influencing both psychological theorisation, and new filming techniques. Jeremy Blatter explains how Harvard psychologist Hugo Münsterberg created early films specifically designed to engage audiences using psychological tactics. Scott Curtis’ article examines how Yale psychologist Arnold Gesell was able to extract scientific data from (...) a film. Felix Rietmann’s article explores a collection of infant observation films from the 1930s and 1960s and how they developed unique narratives of mothers’ engagement with their children that did not necessarily match up with dominant scientific theories. Janet Harbord's article considers how a trilogy of films made at the Maudsley Hospital in the 1950s engaged with innovative film-making techniques that captured behaviour as discrete units. Seth Watter further examines how William S. Condon's use of the unique technology of the Bell and Howell 173BD projector in the 1960s created new understandings of human behaviour that could not have been predicted in advance, and which were highly influenced by the technology itself. Finally, Des O’Rawe explores how radical approaches in both anti-psychiatry, and documentary film-making in the 1960s created new opportunities for audiences to engage with different psychological states. All of these developments in film and psychology continue to influence understandings in both these fields to the present day. (shrink)

Resumo: O presente artigo tem como objetivo propor uma hipótese para superação das críticas feitas por Robert Nozick e Michael Sandel à teoria da justiça de John Rawls, no que concerne à necessidade de se considerar aspectos históricos e práticos, na formulação de princípios na posição original. Para tanto, é preciso analisar inicialmente as correntes filosóficas do liberalismo, do libertarianismo e do comunitarismo, a fim de fundar as bases necessárias ao desenvolvimento do estudo. Na sequência, será apresentada a teoria da (...) justiça de John Raws, seguida das críticas formuladas pelo libertário Robert Nozick, no que se refere à necessidade de se levar em conta o princípio histórico. Nozick comprova, por meio do exemplo de Wilt Chamberlain, como aspectos históricos podem alterar as estruturas pré-estabelecidas pelas teorias de estado final. Após, serão examinados os apontamentos feitos por Michael Sandel, especialmente no que concerne ao individualismo metodológico. Sandel também chama a atenção para o fato de que, para garantir efetividade aos princípios, é preciso que os indivíduos se utilizem de sua experiência e das particularidades da comunidade e de seus integrantes. Ao final, será sugerida uma proposta de superação das críticas dirigidas a Rawls, mediante a relativização da abstração da posição original.: The present article aims to overcome the criticisms made by Robert Nozick and Michael Sandel of John Rawls’ theory of justice, specifically with regard to the need for considering historical and practical aspects in the formulation of principles in the original position. We first analyze the philosophical currents of liberalism, libertarianism, and communitarianism, in order to lay the foundations necessary for the development of the study. Next, Rawls’ theory of justice is presented, followed by the critique made by the libertarian Robert Nozick of the need to consider the historical principle. Nozick proves, through the example of the American basketball player Wilt Chamberlain, how historical aspects can alter structures that are pre-established by theories of final state. Michael Sandel’s observations are then analyzed, especially with regard to methodological individualism. Sandel draws attention to the fact that to ensure the effectiveness of principles, individuals need to draw on their experience and on the particularities of the community and its members. Finally, a proposal is made for overcoming the criticisms directed at Rawls; this is achieved by relativizing the abstraction of the original position. (shrink)

Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy and (...) Psychology Online ISSN 1878-5166 Print ISSN 1878-5158. (shrink)

A en croire Platon, Héraclite, à l'encontre d'Empédocle, professait une coïncidence de l'un et du multiple. Pour Aristote, c'est tout le contraire: Héraclite, de même qu'Empédocle, enseignait une alternance de l'un et du multiple. Comment expliquer ce désaccord ? En exposant sa théorie de l'unité des opposés, Heraclite ne s'est pas toujours exprimé de la même façon. Aristote aurait compris de travers des formules où l'unité se range du côté de l'un des opposés. Plato and Aristotle presumably read the same (...) text of Heraclitus, and yet they come up with entirely opposite accounts of its meaning Plato thinks that Heraclitus and Empedocles disagree. Aristotle, that they agree. Scholars have failed to solve this conundrum, because they have failed to recognise in the fragments of Heraclitus the Obscure alternative forms of the law of the unity of opposites. Aristotle (wrongly) took one formulation of the law of the unity of opposites to imply an endless succession of the one and the many, and therefore the agreement of Heraclitus with Empedocles. (shrink)

Diese Arbeit zeigt, dass die Dualität des mathematischen und dynamischen Erhabenen bei Kant auch dem Zweck der dritten Kritik dient, die Kluft zwischen den Gebieten der Natur und der Freiheit zu schließen. In der Sekundärliteratur zu Kant wird das Erhabene oft als Anhang des Schönen oder aufgrund seiner mehrfachen Dualitäten als Bruch in Kants Ansatz angesehen. Dies geschieht, weil solche Interpretationen die Elemente der Theorie des Erhabenen atomisch und nicht systematisch rekonstruieren. Im Gegensatz dazu wird in dieser Arbeit mittels der (...) Resonanz der teleologischen Behandlung der Vernunft nicht nur die innere Systematik der dritten Kritik gezeigt, sondern auch die von der gesamten kritischen Philosophie. Die Vernunft als Vermögen der Zwecksetzung zu verstehen in ihrem praktischen und theoretischen Gebrauch, ist keine neue Idee oder neuer systematischer Rekonstruktionsversuch der kritischen Philosophie in der Kantforschung. Das eigentlich Neue in dieser Monografie ist, einen Beweis von ihrer teleologischen Einheit aus der ästhetischen Perspektive des paradoxen Gefühls des Erhabenen geleistet zu haben. (shrink)

The European Legacy, Volume 17, Issue 4, Page 553-554, July 2012.

A collection of essays on politics, philosophy, and the crisis of Marxism, referring back to Althusser's theoretical initiatives of the late 1970s and the Portuguese revolution of 1974.

Dieser Artikel konzentriert sich auf zwei der frühesten Schriften aus Leibniz' Pariser Zeit, die „Accessio ad Arithmeticam Infinitorum“ und die „De Minimo et Maximo. De corporibus et mentibus“ , und er beurteilt die Beziehung zwischen den in der AAI angegebenen mathematischen Ergebnissen und dem Wandel in Leibniz' Metaphysik, der in MM und in den damit in Verbindung stehenden Schriften und Briefen zum Ausdruck gebracht wird. Sowohl Leibniz' mathematische Ergebnisse als auch der Wandel seiner Haltung in der Metaphysik können als Resultat (...) einer stärkeren Verpflichtung gegenüber dem Euklidischen Axiom betrachtet werden, daß das Ganze größer ist als der Teil. Indem das Euklidische Axiom eine bedeutendere Rolle in Leibniz' Metaphysik und mathematischer Arbeit einnimmt, bewegt sich Leibniz von der Vorstellung der Zusammensetzung des Kontinuums aus unteilbaren Punkten zu einer Aufgliederung des Kontinuums in unvergleichbar kleine Teile, die in sich selbst kontinuierlich sind. Dieser Wandel führt Leibniz dazu, die Rolle der Identität und eines Kalküls von Teil und Ganzem zu betonen und sich in Richtung einer Vorstellung vom Unbestimmten als eines Unendlichen zu bewegen. (shrink)